Know what you're buying
Year, maker, series, scale, accessories and condition. The details collectors actually want to know.
Hammer & Mold brings together original vintage toys, the companies that made them and the stories that made them famous. Explore the history. Watch the commercials. Buy the originals.
Live auctions on original vintage toys. Place a bid, or take it straight away with Buy now.
We organize the collection the way it was built: maker first. The maker is the molder; its toy lines live beneath it. Filter the lines by their maker, or sort them across the years.
The line that invented the modern 3¾-inch action figure, and sold an empty box one Christmas to do it.
Meet the Molder →Proton packs, ecto-plasma and gross-out mutations. The strangest, most inventive toys on the shelf.
Meet the Molder →Soft-vinyl monsters from Tokyo's tokusatsu boom. Godzilla, Ultraman and the beasts of late-night television, hand-poured and hand-painted.
Meet the Molder →The material itself. Hollow Japanese soft vinyl, slush-cast in heated metal moulds, pulled out by hand and sprayed by hand. And Hiroshi Goto, who has been painting it for seventy years.
Meet the Molder →Mutant reptiles, pizza and ooze. The line that turned a black-and-white comic into a worldwide phenomenon.
Meet the Molder →The gentle alien of 1982. Poseable figures, glowing fingers and the most famous bicycle in cinema.
Meet the Molder →Mr. T, machine guns and a black van. No plan survived contact, but the toys did.
Meet the Molder →The monsters you could actually own. Cheap vinyl on a hook by the till, from the company a Holocaust survivor built out of a ten-cent bouncing ball.
Meet the Molder →Britain's Star Wars line, from the company that also made Action Man. Its Death Star is printed card because plastic cost too much, which is exactly why it is now the one collectors chase.
Meet the Molder →The toys about toys. Pull-string Woody and Buzz, straight from Pixar's first feature.
Meet the Molder →Anyone can sell an old toy. We want to tell you what you're actually looking at.
Year, maker, series, scale, accessories and condition. The details collectors actually want to know.
Who made it, when it appeared and what made it special. The story behind the plastic.
The original TV commercials that introduced these toys to the world, right where they belong.
Every other maker on this site left a paper trail: founders, addresses, lawsuits, an obituary. Dor Mei left toys. No founding date anyone agrees on, no factory address, no company history, not one interview. What survives is the moulding itself, stamped into the soles of monsters that were never licensed to exist. It turns out to be enough: the one encyclopaedia that mentions this company dates its figures a decade wrong, and the stamp on the foot is what proves it. This is what the record looks like when nobody bothered to keep it, and what a toy can still tell you anyway.
There is no origin story here, and pretending otherwise would be the easiest lie on this website. Dor Mei was a Hong Kong toymaker that cast large vinyl monsters in the shape of Godzilla without ever holding the right to do so. Who founded it, when it opened, how many people worked there, whether it made anything else at all: none of that is written down anywhere we can find.
What can be established is what the toys themselves say. The soles carry DOR MEI, a registered-trademark symbol, a country of origin and a copyright year. That is the entire archive.
That stamp is doing more work than it looks. It is the reason this page can date the figures at all, and the reason it can contradict the only encyclopaedia that mentions them. A licensed toy is documented by the licence: Toho knew exactly who was making Godzilla and on what terms, and that paperwork is why the Bandai and Marusan histories can be written at all. An unlicensed one is documented by nobody, because the whole point was not to be. The absence of a record is not an oversight. It is the business model.
The only reference work that covers Dor Mei at all puts these figures a decade later than they belong. We can say that with some confidence, because the answer is pressed into the bottom of the foot.
| Source | Says | Worth |
|---|---|---|
| Wikizilla, the kaiju encyclopaedia | “In the late 1990s, Dor Mei produced several unlicensed Godzilla figures” | The only encyclopaedic entry that exists. It is also the only source that says this, and it is out by roughly ten years. |
| The market, across eBay, Etsy and Worthpoint | 1986, near-unanimously | Hundreds of listings agree. On its own that proves little: sellers copy each other's dates. |
| The sole of our own figure | DOR MEI ® · MADE IN CHINA · © 1986 | Pressed into the tool at the factory. This is the one that settles it. |
Three things separate a Dor Mei from the licensed figures it was pretending to be, and from the other Hong Kong casts of the same era.
Everything this page claims about the date comes off these two feet. They are not stock images: this is the example we handled, and it is why the page can disagree with the reference work.
The obvious objection: this is a knock-off, so why give it a page next to Kenner and Palitoy?
Because it stopped being a knock-off some time ago. A fake works by being mistaken for the real thing, and nobody buying a finless Dor Mei is under any illusion about what it is. It is collected as itself: a specific object, from a specific factory, that a generation of children in Europe and America actually owned, because it was on the market stall and the licensed Bandai figure was not.
It is also, quietly, the more honest half of the history. The licensed toys tell you what Toho approved. The bootlegs tell you what the demand was so large that it got met anyway, by whoever had a vinyl press and no lawyer. Both are the record of what happened.
What we will not do is describe one as licensed. Every Dor Mei lot on this site says unlicensed, in the description, in as many words. That is the line: the toy is legitimate to sell and collect, and pretending it came from Toho is not.
Thin, and deliberately shown as thin. There is one reference entry and a market; the rest of this page is read off the toy.
A private collection that grew into something bigger. This is where it comes from, and what we hunt for.
What began as a handful of childhood pieces turned into a hunt: for the odd, the overlooked and the wonderfully strange. The finding, the careful cleaning, the search for a missing weapon or a lost accessory, the stories behind each toy. Somewhere along the way the collecting became a way of living.
We are drawn to the weird ones. Toys that were played with, loved and actually handled, over the pristine pieces sealed and graded never to be opened again. A toy locked in plastic, never to be read or felt, becomes a frozen artifact. We would rather keep them alive.
Have a collection of your own? We buy and take on whole collections and single pieces. Tell us what you have, send a few photos, and we will look after it.
Upload a few clear photos. Our AI identifies the toy, dates it, checks the condition and builds the listing for you. It also reviews recent sales to suggest a fair starting price.
Identification is free. You only use a listing when you decide to sell.
Add clear photos of the front, back, accessories and any visible flaws. Include a close-up of the maker's stamp where possible.
You can also add your own source or a note of direction, either to point us at something you already trust or to have the identification double-checked against it.
A worn or partly legible stamp is fine.
Our AI reads the toy the way Hammer & Mold does, dating it from the moulded stamp rather than the box, then identifies the year, line and variant, grades the condition and reviews recent sales to suggest a price.
You see the identification, the sources, the condition, the pricing and the listing details before anything goes live. Change what you like, set your Reserve or Buy Now price, then approve the listing.
Toy identification is free and unlimited. Photograph anything and we will identify it, date it, show what originally came with it and grade its condition. You only pay when you list. Choose a package based on how much you sell, or let us work out which one costs you least.
You do not have to run an auction to get rid of a box of toys. Send us photographs, we tell you what it is worth, and we make you an offer for the lot. You post one parcel and we pay. No listing, no waiting, no wondering whether it sells.
We would rather you picked the right one than the one that suits us, so here is the arithmetic on a toy we think will fetch €30.
| On a toy worth about €30 | Sell it to us | Sell it through us |
|---|---|---|
| You receive | € 15,00 | € 25,50 |
| When | Within a week | After it sells |
| If it does not sell | Our problem | You still have it |
| Photographs, listing, packing | We do it | You do it |
| If it turns out to be rare | We keep the upside | You keep it |
The honest reason: assessing one toy and assessing forty costs us nearly the same in setup, so a whole collection is worth far more of our attention than a single common figure.
1. You send photographs. A few clear shots of what you have, laid out. For anything you think is worth something, add a close-up of the moulded stamp on the feet or the lower back: that text is what lets us date it and find what it really sells for.
2. We tell you what it is, before we make an offer. You get the identification either way, and you keep it whether you sell to us or not. If we think a piece is worth more than we would pay for it, we will say so and tell you to list it yourself.
3. We make one offer for the lot. Within two working days, with the reasoning attached: what we think each piece fetches and what we are paying for it. No haggling and no fishing.
4. You post it, we pay. We send you a prepaid label. Payment goes out the day the parcel arrives and matches the photographs. If something is not as described you get the parcel back at our cost, not a lower offer.
Photographs and a way to reach you. Nothing else needed, and nothing is committed by sending it.
Toy identification is always free and unlimited. Photograph anything and we will tell you what it is, who made it, when it was made and what condition it is in. You only pay when you sell. Choose a package based on how much you sell each month. Every package includes price research, buyer protection and live postage rates.
Tell us roughly how much you sell. We will compare the monthly fee and selling fee together and recommend the cheapest package.
Compare what buyer and seller pay together. On a €100 hammer price, Catawiki charges the seller 12.5% and adds another 9% buyer fee. The buyer pays €109 while the seller receives €87,50. Hammer & Mold adds no buyer fee. A €100 hammer price means the buyer pays €100.
| On a €100 hammer price | Buyer pays | Seller receives | Total platform fees |
|---|---|---|---|
| Catawiki | € 109,00 | € 87,50 | 21,5% |
| Hammer & Mold, Starter | € 100,00 | € 85,00 | 15,0% |
| Hammer & Mold, Trader | € 100,00 | € 88,00 | 12,0% |
| Hammer & Mold, Dealer | € 100,00 | € 92,00 | 8,0% |
A monthly package fee buys you a lower selling fee. Sell enough in a month and the saving becomes greater than the subscription. Sell less, and Starter is cheaper. The table shows the total cost of each package at different monthly sales volumes.
Live lots from this seller.
Identifying a toy is free and unlimited on every package. A listing is what costs a token. Every package includes the price research, buyer protection on every lot, and postage quoted live from the carrier.